Andrea Belfi
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DISCOGRAPHY
Christa Pfangen "Watch me getting back the end" (Die Schachtel 2007)

1-see me listen
2-today
3-I'm leaving
4-playing apart listen
5-showing you how softer beat would work as well
6-tiding up, getting out
7-simply, just an object
8-the nail, the eye
9-getting back the end

played, recorded, edited, & mixed by Andrea Belfi e Mattia Coletti

mastering by Giuseppe Ielasi

produced by Fabio Carboni e Bruno Stucchi

REVIEWS

  • SandsZine (January 2007)
  • Other Music (NY city coolest music store-February 2007)
  • Mimaroglumusicsales (February 2007)
  • Acquarius Records (February 2007)
  • Onda Rock (Febbraio 2007)
  • Blowupmagazine (Marzo 2007)
  • Sentireascoltare (March 2007)
  • Audversity.com (March 2007)
  • The Wire (April 2007)
  • Dusted Magazine (April 2007)
  • Foxy Digitalis (March 2007)
  • City Paper online music (2007)

  • REVIEWS
    City Paper online music (2007)
    02-06-2008

    Though named in sly homage to noted singer, heroin aficionado, and serial monogamist Nico, Pfangen's free-associative acoustic improvisations bear little (if any) resemblance to the German chanteuse's music. Instead, the duo of Mattia Coletti and Andrea Belfi use the whole of Watch Me Getting Back the End to pursue a stereophonic guitar, percussion, and vocal interplay that mixes scattershot drumming with carefully plucked strings and intertwined voices, emerging as a more melodic, electronics-addled analogue to classic European improv. Favoring spry instrumental figures that coalesce into graceful layers, tracks like "I'm Leaving" explore gentle harmonics on top of undulating guitar washes and fluid percussion fills, while "Tiding Up, Getting Out" mines ramshackle drum-kit hits and scraping strings. Each track evidences a different approach, alternating between foregrounded percussion and effervescent guitar drones. Melody, however, forms the common backbone throughout the whole album, pinning free-ranging excursions to simple note patterns and warm motifs that anchor Coletti and Belfi's work in the familiar and genteel. Michael Crumsho

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