Andrea Belfi
BIO  |   NEWS  |   PROJECTS  |   DISCOGRAPHY  |   GIGS  |   LINKS  |   CONTACTS  |  

DISCOGRAPHY
Christa Pfangen "Watch me getting back the end" (Die Schachtel 2007)

1-see me listen
2-today
3-I'm leaving
4-playing apart listen
5-showing you how softer beat would work as well
6-tiding up, getting out
7-simply, just an object
8-the nail, the eye
9-getting back the end

played, recorded, edited, & mixed by Andrea Belfi e Mattia Coletti

mastering by Giuseppe Ielasi

produced by Fabio Carboni e Bruno Stucchi

REVIEWS

  • SandsZine (January 2007)
  • Other Music (NY city coolest music store-February 2007)
  • Mimaroglumusicsales (February 2007)
  • Acquarius Records (February 2007)
  • Onda Rock (Febbraio 2007)
  • Blowupmagazine (Marzo 2007)
  • Sentireascoltare (March 2007)
  • Audversity.com (March 2007)
  • The Wire (April 2007)
  • Dusted Magazine (April 2007)
  • Foxy Digitalis (March 2007)
  • City Paper online music (2007)

  • REVIEWS
    Dusted Magazine (April 2007)
    02-06-2008

    Christa Pfangen comprise Mattia Coletti and Andrea Belfi, two renegades from Italy’s resurgent, ever-expanding underground. Belfi has already released several stunning solo discs: 2003’s Ned no2 on Chocolate Guns, and last year’s superlative Between Neck and Stomach, for Häpna. Watch me getting back the end isn’t quite as powerful as Belfi’s solo albums, and at first it appears rather slight. Many of the songs appear half-formed, as though Belfi and Coletti have stripped the core from the composition after dressing its body. After a few listens, however, this tactic becomes the album’s winning streak.

    The duo rely on a rather minimal core of instruments and gestures - the rough hum of a harmonium; splintered acoustic guitars that shift from stubby single-note runs to brashly strummed chords, and skittering drums that accent at the oddest moments. This narrowed focus gives the album an aesthetic consistency all the weirder for its simultaneous overarching sense of structural evacuation. This comes off as quite a conscious tactic, rather like Gastr del Sol in some ways, and like that group’s records, Watch me getting back at the end is intellectual without being cold or clinical, and skeletal without feeling emaciated, offering up more questions than it gives answers. Perhaps the reference to Nico’s birth name, Christa Pfangen, connects the album with another set of songs that have had their center rudely removed: The Marble Index.

    By Jon Dale

    Back to the archive