Andrea Belfi
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DISCOGRAPHY
Christa Pfangen "Watch me getting back the end" (Die Schachtel 2007)

1-see me listen
2-today
3-I'm leaving
4-playing apart listen
5-showing you how softer beat would work as well
6-tiding up, getting out
7-simply, just an object
8-the nail, the eye
9-getting back the end

played, recorded, edited, & mixed by Andrea Belfi e Mattia Coletti

mastering by Giuseppe Ielasi

produced by Fabio Carboni e Bruno Stucchi

REVIEWS

  • SandsZine (January 2007)
  • Other Music (NY city coolest music store-February 2007)
  • Mimaroglumusicsales (February 2007)
  • Acquarius Records (February 2007)
  • Onda Rock (Febbraio 2007)
  • Blowupmagazine (Marzo 2007)
  • Sentireascoltare (March 2007)
  • Audversity.com (March 2007)
  • The Wire (April 2007)
  • Dusted Magazine (April 2007)
  • Foxy Digitalis (March 2007)
  • City Paper online music (2007)

  • REVIEWS
    Mimaroglumusicsales (February 2007)
    13-02-2007

    the quarterly arrival of the die schachtel box is inarguably the highlight of my existence as a shopkeep... i hate to play favorites but in truth i’m feeling their cross-section of dusty academic tape music & contemporary electro-acoustic psych more than just about anything these days... said feeling easily traceable to the quality-control & general “wow” nature of their deluxe-but-simple editions...

    so... here is a brand-new (january 2007) release on their “zeit” series (documenting contemporary italian music born of the same fertile breeding ground that has thusfar yielded 3/4hadbeeneliminated, giuseppe ielasi, å, and so many other mms-favorites...) - the debut album from the duo of andrea belfi (whose recent häpna-label “between neck and stomach” got more than a few plays around here...) and mattia coletti.

    the two work a fruitful combination of extended-technique acoustic instrumentation and slight electro-acoustic treatment that, in my mind, bridges the wide gap between free improvisation and more rock-ish tendencies (i hear a deep gastr del sol influence here - especially in some of the “louder” material...)

    the more work i hear from this axis - the more i want to become some sort of mad-raving completist (i haven’t a duff one yet...) - excellent stuff.

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